On of my favorite films: much misunderstood is the moody Black & White jewel Radio On. It haunted me when I saw it first on screen at the Indian International Film Festival, Bangalore, 1980
I didn’t realise that years later I would cross paths with Chris Petit. More on that remarkable director and writer in another blog.
But in the meanwhile here’s something from the Guardian.
More about Radio On
In British cinema history, Chris Petit’s gloomily beautiful road movie Radio On stands alone. There is no other movie like it in the national canon.
Continue reading “Radio On”
That can only mean one thing.
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Dev Benegal writes about his only guru in cinema the legendary cameraman Subrata Mitra who died December 08, 2001. This is the article which originally appeared in the MidDay, Bombay.
2001. What a year it has been!
George Harrison, Douglas Adams, Subrata Mitra.
Subrata who? Precisely.
Continue reading “Subrata Mitra The Master of Light”
I’m fortunate to have met some of the masters who have made cinema what it is. I will be writing aboout some of these encounters from time to time in this blog. Some of the people whose work I admire and who will feature in this are: Subrata Mitra the legendary camerman, Satyajit Ray the director, Walter Murch the editor and sound designer. Also in this will be the unsung heroes. The people who never get noticed in the movies but who have made an indelible mark on cinema in their small way.
Is this name thing a recurring theme? In English, August Agastya Sen who wishes he were English and his name August is harassed about his name. In Split Wide Open August’s country cousin KP is quizzed about his name Kut Price, in Ravan & Eddie the young boy is renamed and spends a good part of his time wondering about his name. In Stairway to Heaven the protagonist VJ prefers his shortened initialized name to what he’s been given. And the girl who becomes part of his life has no name. She’s just The Girl.
Whatever, as they say. Not quite I’d reply. They are part of this city; Bom Bahia, Boa Vida, Bombaim, Mombaim, Bombay, Mumbai call it what you want.
For me it will always be Bombay.
My pictures of Chris Doyle when we met in Delhi.
Here’s what Salon has to say of him:
Christopher Doyle may be the greatest cinematographer now working. The movie (Hero) is utterly gorgeous to look at but Doyle’s work is never merely “pictorial.” It always has the dramatic impetus of the scene in mind. He is a master of lighting, shading, hues and precise yet subtle camera movement and is one of the least fussy masters imaginable.
When I sent this to Chris, he responded, “I blush.”
Chris Doyle- Carried Away. Photograph ? Dev Benegal 2004
Brad Pitt and Jennifer Anniston’s company is called PLAN B.
But I think Will Smith has the best line on Plan B.
Applies especially to life:
“No Plan B. It distracts from Plan A.“
On my way to meet Walter Murch, where he was conducting a ten day workshop at the Film & Television Institute (FTII) here’s what was in front of our car.
Amazing what one comes across in Bombay. The city has this crazy energy which most filmmakers seem to ignore.
Prof. Makarand Paranjape of the JNU in Delhi is taking a few of us to China in April. My film Split Wide Open will be one the films being screened. keep a watch here for pictures and updates from China.