An award I am particularly proud of because Vikram Joglekar is one of those rare sound recordists and engineers whose knowledge of films and music — he is an accomplished Dhrupad singer— is unsurpassed.
A person with an amazing understanding of cinema, of storytelling and of life itself, I am fortunate to have known and worked with Vikram for over 20 years on all my films.
The Karbonn Mobiles 17th Annual Star Screen Award for Best Sound went to Vikram Joglekar for Road, Movie.
This award is an acknowledgment of Dev Benegal’s commitment to sound in his films.
The soundtrack was a collaborative effort and I share this award with other illustrious members of the sound team. P M Satheesh and Shajith worked on the sound design,Roland Vais and Sharon Smith did the post-production and Dom Tavella mixed the film. A big thanks to Screen, this encourages all of us to continue to strive for excellence.
SEOUL — Indian director Dev Benegal’s pitch for a dark comedy ‘Dead End’ was named as the best project at the Network of Asian Fantastic Films .
The story of a man who is declared as dead by a shady government department and has to take extreme measures to prove that he is alive, was written by Benegal and Sarat Rao and is to be produced by Satish Kaushik Entertainment and Benegal’s August Entertainment. The Bucheon Award is worth $15,000.
The 18th Puchon International Film Festival (PiFan)â€™s Network of Asian Fantastic Films (NAFF) wrapped tonight with top Bucheon Award going to Dev Benegalâ€™s Indian project Dead, End Or: How I Learned To Stop Living And Love Being Officially Dead.
Jury head Michael Favelle said: â€œDead, End may be seen as a surprising choice given that itâ€™s not an immediately obvious, traditional fantastic film in the way fantastic film festivals are known for. It is, however, a brilliant satirical surrealist comedy of a place that no one has seen before.â€
I have in the past loved your thoughts, comments and rants. Even when most of them were asking about the DVD of English, August â€“ A torturous process I have written about and will continue to do so until the film is out again to view.
I still plan to write on this site. Though I am thinking about what shape this page can take in the future.
If you have any thoughts or comments you can use Twitter.
One of my obsessions has been reading production screenplays. Either very early drafts or drafts just before production begins. Somewhere between those two stages is a master class in filmmaking.
I think Emir Kustirica said this; “a screenplay is not the film. A film exists in the white spaces between the dialogs.” If he did not it’s what I’d like to imagine he said.
A screenplay is not a work of art. It’s a document that occupies a strange intermediate space. I’ve always seen a screenplay as a set of coded instructions. But then, “code is poetry.” So, when I write I try to make every word matter like an author would when writing a novel. And as a director it’s that elusive white space between words that I’m in search of.
So, here’s the screenplay of Road, Movie. This is the draft dated August 15, 2008.
Two days before we began filming.
This is for your personal use and I’d appreciate if you did not post this on your site or put up on any services like Scribd.